Transe Symphonic Music
15 November 2025
13 min 27 s
Living natural scale & 432Hz
Audio WAV (16-bit 44.1 kHz)
« The work Love and Gratitude now exists in a previously unreleased version.
The original version of Love and Gratitude was crowned with a professional recording with the musicians of the Sofia orchestra in Bulgaria in 2024; in that same year a second version was born, sublimated by the voice of Kelly Aura, and in this year 2025 a new, unprecedented and unheard-of version is coming to life, inspired by my encounter with Christophe Clergue, the brilliant inventor of the ShinVav Audio loudspeakers, unique in the world. In our fascinating conversations, I was amazed to hear: “I can no longer listen to music in a tempered scale”.
Until then my music was in a tempered scale. As a musician wishing to record with orchestral musicians, I had mourned natural tuning, because classical instruments operate almost exclusively in equal temperament. And yet the importance of this question is so great that it was part of the very first revelations about the musical language that I received in 2008, which then initiated all the years of research carried out through the numbers, sounds, shapes and colours of this language.
As it was revealed to me, the natural temperament or equal temperament of the scale is far more than a question of different viewpoints on how to tune it, as if this were a consideration downstream of what a scale is. In fact, it is exactly the opposite: there is no genesis of the scale without this natural and true tuning, and this question therefore comes upstream of the scale itself; the whole genesis of the scale intrinsically depends on it. So it is not only a matter of saying that without this tuning we destroy the scale, but that without this tuning the scale simply would not exist at all. If we follow this point of view through to the end, we discover that any other tuning literally kills the scale.
So this is far more than a matter of tuning; it is a matter of life. It is a state in which the scale is therefore either alive or dead, and thus of living music or of dead music.
There is a ton of discourse about 432 Hz, whereas the question of the reference pitch is secondary. We can have living music at 440 Hz and dead music at 432 Hz.
This question is so secondary that everything circulating on this subject borders on the ridiculous compared with the importance of the choice of temperament, which seems totally ignored, showing once again how our world seems to be turning upside down.
I knew that one day my music would operate from this living scale that was revealed to me in 2008; meeting Christophe Clergue in 2025 was the turning point.
So I completely reworked this piece, parted ways with the musicians of the Sofia orchestra and instead implanted the living sounds of the orchestra tuned in a natural, living temperament.
I listened to the comparative result on ShinVav Audio loudspeakers by Christophe Clergue, and I experienced something I would never have believed possible: I preferred this new version created by my own means rather than the one recorded with the excellence of the Bulgarian musicians. I would never have thought I could prefer this version crafted by my own hands rather than by theirs.
And yet the inexplicable magic beyond words does not lie: there is a before and an after, death on one side, life on the other, with no possibility of going back.
Music is the breath of spirit; sound is its body, its chalice.
The spirit of my music has always been alive, but its body was dead. That has never prevented me from perceiving and receiving its beauty, but its impact right down into the cells of the body has until now been considerably limited by its dead sonic dimension.
And what can a dead sound transmit to living cells if not death?
“If you want to control the people, start by controlling their music.” Plato
Here is the very first fully living version of Love and Gratitude, which contains not only the breath of spirit but also the breath of life of this work, whose words were discovered by Dr Masaru Emoto as being, par excellence, those that are a source of life and that regenerate life in their original purity!
May this work breathe its life — the life of its spirit and of its living sonic body — into you and through you. »
Yves Ruhlmann
Audio files in the format WAV 44.1 kHz – 16-bit (CD quality)
LOVE AND GRATITUDE • Transe Symphonic
Full version – 13:27
LOVE AND GRATITUDE • Transe Symphonic
Full version without choir – 13:27
LOVE AND GRATITUDE • Transe Symphonic
Strings version – 13:27
LOVE AND GRATITUDE • Transe Symphonic
Percussion version – 12:44
LOVE AND GRATITUDE • Transe Symphonic
Winds version – 09:05
LOVE AND GRATITUDE • Transe Symphonic
Choir version – 01:47
* * *
Duration of the main work (full version): 13 min 27 s
Duration of the additional versions: 50 min 30 s
* * *
Total duration: 1 h 3 min 57 s
This work is written in the Living Scale, a scale based on natural tuning, as it was revealed to Yves Ruhlmann in 2008, as opposed to the so-called “dead” tempered scale.
In this approach, the choice of temperament is not a mere technical detail: it conditions the very genesis of the scale and determines whether the music is living or dead.
The Living Scale is thus part of a vision in which it is not only a matter of tuning, but truly of life carried by sound.Learn more : https://symphoniya.com/en/the-living-scale/
Orchestral power in service of life
Transe Symphonic Music is a musical form built entirely on the language of numbers — magnitude, proportion, symmetry and power. Each note in the score finds its place within a coherent whole, where nothing is left to chance. These sound architectures, comparable to vibrational cathedrals, invite a total listening experience: from body to awareness, from matter to energy.
Born from the Canticle Code Music, it conveys the deep vibrational structures that connect words, numbers and sounds. The work then becomes a living channel, capable of retuning the inner planes of being and restoring the harmony of life.
Its principle is based on steps and repetitions intended to imprint the musical sequences into the finest layers of the body. This intensity creates a phenomenon of engramming and opening, releasing an energy that acts far beyond hearing. The final silence, a true inner resonance chamber, marks the moment when the condensed energy unfolds and transforms.
Listening to a Transe Symphonic work means welcoming a pure, non-decorative musical force, operating like a vibrational medicine — demanding, yet profoundly beneficial.
Each work is an offering: a space of resonance where sound becomes prayer, where music becomes life.
Yves Ruhlmann is a Franco-Swiss composer, pianist and conductor.
His work is rooted in more than fifteen years of research on the musical language, numbers and the vibrational structures that connect sounds, forms and consciousness.
Trained in major European conservatoires and a former resident guest at the Villa Medici (Rome), he has devoted his life to unveiling the hidden grammar of the musical language.
From these discoveries was born Transe Symphonic Music, an orchestral language that is both sophisticated and accessible, in which every note, every proportion and every silence participates in the same living order.
His works are conceived as operative sound architectures, capable of awakening inner resonance and restoring harmony between body, heart and consciousness.
Purchasing this work grants you a personal use license, strictly reserved for the buyer.
The price is the same for private individuals and therapists, but any use in sessions (accompaniment, treatment, guided meditation, etc.) requires the signing of a specific license.
Tailored licenses and pricing are also available for practices, centres, hospitals and clinics.
For any use other than private use reserved for the buyer,
please write to contact@symphoniya.com
or use the “Contact” section.
Created from Canticle Code Music and Polyphonic Mantras, Transe Symphonic Music has been conceived as a genuine musical “immune system” for your life.
Each piece acts as a receptacle and an amplifier of vibrational codes, helping restore harmony in your body, your space, and your consciousness when faced with stress, waves, and all the sources of everyday disharmony.
Whether listened to in the background or during dedicated moments, this music is composed to support soothing, protection, realignment, and the elevation of your energy level.
To find out more: Discover the full article on Transe Symphonic Music
Transe Symphonic Music can be experienced through two complementary modes: a powerful immersive listening, comparable to a wave that cleanses in depth, and continuous low-volume listening, like a gentle flow that harmonizes your space over the hours.
To fully enjoy it, it is recommended to optimize the sound environment (high-quality audio system, stable diffusion throughout the room) and, if desired, to place some water near the speakers so it can become charged and turn into a genuine energy battery in support of your daily life.
The effects may take time: patience and genuine inner openness are essential to let this music act, along with an appropriate technical setup that allows for regular listening, both day and night.
To explore the full listening guide and the detailed instructions: Transe Symphonic Music – Listening Guide and Instructions for Use
Symphoniya® and Yves Ruhlmann strongly recommend listening to and playing the Transe Symphonic works on ShinVav Audio speakers, unique speakers in the world, capable of delivering the full, real power of Transe Symphonic works. Not only the power, but also an unmatched level of purity, presence and sound to this day.
These speakers, true resonance chambers unique in the world, are in themselves a major therapeutic tool that no other system in the world can match.
This needs no commentary — it must be experienced. The combination of Transe Symphonic Music and ShinVav Audio speakers is a sacred alliance of sound and Transe Symphonic in service of life.
Transe Symphonic Music is a vibrational tool designed to restore harmony within you and around you.
Practically speaking, you can use it to:
soothe and realign your system (stress, fatigue, misalignment),
support life transitions or inner healing processes,
harmonize your environment (room, home, practice) on a subtle level.
It can be helpful at all times, because our modern environment is saturated with sources of disharmony (waves, pollution, tension, thoughts, etc.).
In practice, you can use it:
in intense moments (transformation, crisis, grief, major decisions),
to support you in therapeutic or consciousness work,
continuously at low volume, like a “vibrational immune system” for your living space.
No.
You can also choose Transe Symphonic Music as a form of prevention, as a way to bring more harmony into your everyday life, even without any “big problem.”
It can become a background presence that supports your body and your consciousness in their natural ability to realign.
Click here to find out more: Why use Transe Symphonic Music in your life?
Symphoniya recommends two complementary uses:
Powerful immersive listening
High volume, high-quality audio equipment.
Compared to a vast wave that comes to cleanse you in depth.
Continuous low-volume listening
Very soft volume, on loop, sometimes day and night.
Compared to the trickle of gentle water that harmonizes softly.
The two do not replace each other: they complement one another.
You can proceed as follows:
Choose a moment when you will be undisturbed.
Use good speakers (the quantum speakers ShinVav Audio are highly recommended) or a good hi-fi system.
Gradually increase the volume until you can really feel the power of the orchestra in your body, without physical discomfort.
Let the piece unfold like a journey: you have nothing to do, only to receive.
⚠️ To avoid: discovering this type of listening while driving
For background listening:
Choose a piece (for example Peace and Love – Transe Symphonic) or a selection of pieces.
Set it to looped playback, at a volume barely audible (like a whisper).
Let the music play in your room, your living space, or your practice, sometimes even at night.
This listening mode provides constant support for your environment and your energetic system.
Yes.
It is possible, and even recommended, including throughout the night, at a barely audible level.
ShinVav Audio quantum speakers (if possible) to preserve energetic integrity throughout the room.
An old phone, a dedicated tablet, a music player, or a reader (iPod, USB stick, SD card, etc.) as the source, rather than your main phone.
Avoid Bluetooth, which compresses the signal and adds waves; prefer a wired connection (jack) to an amp or hi-fi system.
Keep the source device plugged into the mains to avoid interruptions.
A computer is possible, but not ideal as a main solution.
Click here to find out more: Transe Symphonic Music – Listening Guide and Instructions for Use
Symphoniya emphasizes: miracle does not mean instant miracle.
If your body and environment have been exposed for years to sources of disharmony (stress, waves, etc.), it may be that:
you feel certain effects quite quickly,
but other transformations take time and regular listening.
What matters is to maintain an attitude of patience and to come back to what you feel, rather than expecting an immediate, spectacular result.
No: these tools do nothing without your inner consent.
They do not bring harmony into you if you do not wish it.
If you are in strong resistance, the main “risk” is that the music will annoy you and you will feel like stopping it.
You therefore remain free to choose your level of engagement with the piece.
It’s possible:
because your mind is resisting,
or because the moment may simply not be right.
In that case:
turn the volume down,
try a shorter listening session,
take a break for several days,
or explore another piece that feels gentler for you.
There is absolutely no obligation to “push through”: listening should remain a voluntary choice, not a constraint.
No.
Even if the site speaks of healing, miracles, or a “restored immune system,” these notions belong to a vibrational framework, not to medicine in the allopathic sense.
In case of illness, psychological disorder, or health concerns:
never discontinue a medical treatment or follow-up without professional advice,
consider this music as a vibrational complement, not as a substitute.
Playing certain pieces on a loop at low volume transforms the energetic quality of the place and the environment in an energetic and geobiological sense, including for the different living realms.
Continuous low-volume listening is offered as a way to:
let a background harmony circulate through your living space,
support your body and your system on a daily basis.
Symphoniya offers an optional practice:
place some mineral water near the speakers (ideally ShinVav) while Transe Symphonic Music is playing;
the water is seen as an energy battery that becomes charged;
drinking this water afterwards is presented as a way of allowing yourself to be “healed in depth, in all your bodies.”
The benefits of this approach have been demonstrated by Dr Masaru Emoto as well as by all current research around the world in the field of water memory.
Yes, but not with the standard license.
Purchasing the piece gives you a personal listening right (private use).
Any use in a session, workshop, treatment, guided meditation, retreat, etc. requires a specific license, with written agreement from Symphoniya.
You can request these terms via the contact form or at contact@symphoniya.com
Same principle:
broadcasting in a waiting room, in a center, a clinic, etc. = professional / public use,
therefore requires an appropriate license, whether for occasional or continuous listening.
Direct contact with Symphoniya to define the right framework.
No.
The T&Cs clearly state that each purchase grants a non-transferable personal license:
no file sharing (email, cloud, group, etc.),
no free or paid distribution without specific agreement.
If you want someone else to benefit from the piece, the fairest way is for them to purchase their own license.
The price of a Transe Symphonic piece is not that of a usual music album, because this is not simply “music.” The piece goes far beyond that: it is a true sonic cathedral between heaven and earth, linking the visible and the invisible.
Given the scale and power of these works, they are absolutely not available for streaming on any platform. They are exclusively distributed through the Symphoniya store. Accessing and purchasing them is a conscious choice, aware of what they contain and of what they entail.
Depending on your financial situation, it is exceptionally possible to obtain a reduced price. This option is reserved for private individuals only. For any request, please write to: contact@symphoniya.com
According to the product page, you generally receive:
a high-resolution WAV audio file (16-bit / 44.1 kHz),
sometimes a video of the orchestral recording or the clip (MOV),
all accessible via a download / viewing link sent after payment.
You place your order on the store,
you receive a download link once payment has been validated,
you are responsible for backing up your files.
For digital content:
A few suggestions, to be adapted according to your current catalogue:
Peace and Love – Transe Symphonic: an excellent entry point, widely used for continuous listening in a room.
Love and Gratitude – Transe Symphonic: focused on heart opening and gratitude, with choir & orchestra and video.
I Am Love – Transe Symphonic: for those who feel called to deep work around identifying with Love.
Illuminance – Transe Symphonic: a major 1h05 journey in a single breath for total immersion.
You can also simply follow the piece whose title moves you the most when you arrive on the store.
« What if Beauty could create a new reality ? »
With the help of cookies, we aim to offer you the best possible shopping experience, with everything that entails. If you agree, simply accept the use of cookies by clicking “OK!”.
You can withdraw your consent at any time via the cookie settings.
Love and Gratitude 💖🙏✨
The Symphoniya® team