Transe Symphonic Music
Choir and Orchestra of Sofia
Music composed, orchestrated and conducted by Yves Ruhlmann
25 May 2024
13 minutes and 10 seconds
Audio WAV (16-bit 44.1 kHz)
Video MOV (The purchase includes the video of the recording of the Sofia Choir and Orchestra, conducted by Yves Ruhlmann)
This is not a piece of music…
This is not a symphony… It is a Transe Symphonic of Love and Gratitude…
This work can be heard as music, as a symphony, but it is above all a powerful tool for energetic transformation of the body, the heart and consciousness.
Pasqua Custodero
“What immediately struck me when I saw the beauty of this crystal were the vibrations spreading out from the centre of light. A very beautiful message offered to us by water, inviting us to spread these vibrations of Love and Gratitude throughout the world. With all my heart, I rejoice that this work can be a contribution in this direction, in the direction of beauty.”
Yves Ruhlmann
Carole Aït Aïssa
Rosina Amendola
Claude Aubert
Agathe Basset
Philippe Blasen
Romain Capelli
Nicolas Castelnau-Bay
Claire-Lise Chervet
Carole Colonna
Laurent Courvoisier
Pasqua Custodero
Christine Dupré
Nadia Fontaine
Meylan Frères S.A.
Madeleine Giriens
Minh-Kha Hoang
Nathalie Husson
Barbara Kempf
Annie Kessler
Céline Logez
Carine Lustenberger
Alain Martignier
Béatrice Maury
Martine Meylan
Mélanie Moix
Stéphanie Monney
Marie & Serge Mouska
Élisabeth Orfila
Fondation Paul-Edouard Piguet
Claudine Rochat
Fanny Rochat
Jean Ruhlmann
Joelle Saudan
Sophie Shaïna
Isabelle Traeger
Project Manager : Céline Logez
Relecture de la partition des bois de l’orchestre : Claudia Gregoris
Relecture de la partition des cordes de l’orchestre : Jordan Gregoris
Recording & Contracting – FOUR FOR MUSIC LTD. Team:
Boris Radilov, George Strezov, Georgi Elenkov PhD
Ognyan Georgiev – project management
Hristo Hristov – librarian
Delyan Kolev, Deyan Velikov – technical organizers, contracting.
Recording producer – Boris Radilov
Sound engineers – Plamen Penchev, Angeliya Vihrova, Apostol Roussinov
Recorded by: SOFIA SESSION ORCHESTRA & CHOIR
Conductor – Yves Ruhlmann
Concertmaster – Yordan Dimitrov
Negina Stoyanova (Principal 2nd Violins), Evgeni Noev, Petya Miroleskova, Gergana Deliyska, George Palikarsky, Ana Ivanova, Doroteya Dimitrova, Smiliana Lozanova, Yuliyan Stoyanov, Todor Nikolaev, Vasilena Mileva, Doroteya Kristeva, Boyan Ivanov, Diana Koleva, Zdravka Komitova, Yulia Katsarska, Gergana Velichkova.
Stefaniya Yankova (Principal Viola), Evgeniya Baadzhieva – Dimova, Iliyana Koleva, Ralitsa Dimova, Elitsa Atanasova, Ilina Ilieva.
Dimitar Tenchev (Principal Violoncello), Sofia Radilova, Vesela Pandinova, August Pavlov
Rumyana Tencheva (Principal Contrabass), Deyan Velikov
Petio Kolev (principal flute), Dimana Demireva
Valentin Metodiev (principal oboe), Alexandra Ivanova
Mihail Zhivkov (principal clarinet), Kristiyan Kaloyanov
Kristina Yumerska (principal horn), Encho Yanchev
Todor Bakardzhiev (principal trumpet), Stoian Stoianov
Mincho Tomanov (principal trombone), Yavor Kostov
Nikolay Temniskov – Tuba
Kiril Petrov (principal percussion), Nikola Petrov, Boris Boudinov, Smila Stoeva
Vaklina Raytcheva – harp
Recording & Contracting – FOUR FOR MUSIC LTD. Team:
Boris Radilov, George Strezov, Georgi Elenkov PhD
Ognyan Georgiev – account, sales manager
Yavor Pachovski – librarian
Delyan Kolev, Deyan Velikov – technical organizers, contracting.
Recording producer – Boris Radilov
Sound engineers – Plamen Penchev, Angeliya Vihrova, Apostol Roussinov
Recorded by: SOFIA SESSION ORCHESTRA & CHOIR
Conductor – Georgi Elenkov PhD
Piano Assistant – Zornitsa Getova
Sopranos:
Galya Simeonova, Emiliya Kirtcheva, Gergana Miltenova, Denitsa Georgieva, Nikolina Pankova, Evgeniya Vasileva, Elena Mekhandjiyska, Maya Stoyanova, Srebrina mineva, Gina Koleva, Iva Bizeva, Hristina Stoyanova, Flora Turpomanova, Gergana Borislavova.
Altos:
Vesela Todorova, Rossitsa Kazakova, Maria Venkova, Nadya Pavlova, Bilyana Mikhaylova, Iskrena Ivanova, Maria Tabakova, Dimana Todorova, Rositsa Indzeva, Yana Vasileva.
Tenors:
Aleksander Lalov, Ivaylo Yordanov, Evgeniy Dimitrov, Atanas Yonkov, Orlin Kamenov, Dimitar Zashev, Alexander Gospodinov, Diyan Genchev.
Basses:
Konstantin Beykov, George Beykov, Nikolay Milev, Viktor Krustanov, Emil Dakov, Peter Petrov, Dimiter Stoyanov, Peter Dimov
This work is written in the Living Scale, a scale based on natural tuning, as it was revealed to Yves Ruhlmann in 2008, as opposed to the so-called “dead” tempered scale.
In this approach, the choice of temperament is not a mere technical detail: it conditions the very genesis of the scale and determines whether the music is living or dead.
The Living Scale is thus part of a vision in which it is not only a matter of tuning, but truly of life carried by sound.Learn more : https://symphoniya.com/en/the-living-scale/
Orchestral power in service of life
Transe Symphonic Music is a musical form built entirely on the language of numbers — magnitude, proportion, symmetry and power. Each note in the score finds its place within a coherent whole, where nothing is left to chance. These sound architectures, comparable to vibrational cathedrals, invite a total listening experience: from body to awareness, from matter to energy.
Born from the Canticle Code Music, it conveys the deep vibrational structures that connect words, numbers and sounds. The work then becomes a living channel, capable of retuning the inner planes of being and restoring the harmony of life.
Its principle is based on steps and repetitions intended to imprint the musical sequences into the finest layers of the body. This intensity creates a phenomenon of engramming and opening, releasing an energy that acts far beyond hearing. The final silence, a true inner resonance chamber, marks the moment when the condensed energy unfolds and transforms.
Listening to a Transe Symphonic work means welcoming a pure, non-decorative musical force, operating like a vibrational medicine — demanding, yet profoundly beneficial.
Each work is an offering: a space of resonance where sound becomes prayer, where music becomes life.
Yves Ruhlmann is a Franco-Swiss composer, pianist and conductor.
His work is rooted in more than fifteen years of research on the musical language, numbers and the vibrational structures that connect sounds, forms and consciousness.
Trained in major European conservatoires and a former resident guest at the Villa Medici (Rome), he has devoted his life to unveiling the hidden grammar of the musical language.
From these discoveries was born Transe Symphonic Music, an orchestral language that is both sophisticated and accessible, in which every note, every proportion and every silence participates in the same living order.
His works are conceived as operative sound architectures, capable of awakening inner resonance and restoring harmony between body, heart and consciousness.
Purchasing this work grants you a personal use license, strictly reserved for the buyer.
The price is the same for private individuals and therapists, but any use in sessions (accompaniment, treatment, guided meditation, etc.) requires the signing of a specific license.
Tailored licenses and pricing are also available for practices, centres, hospitals and clinics.
For any use other than private use reserved for the buyer,
please write to contact@symphoniya.com
or use the “Contact” section.
CHF 298
Created from Canticle Code Music and Polyphonic Mantras, Transe Symphonic Music has been conceived as a genuine musical “immune system” for your life.
Each piece acts as a receptacle and an amplifier of vibrational codes, helping restore harmony in your body, your space, and your consciousness when faced with stress, waves, and all the sources of everyday disharmony.
Whether listened to in the background or during dedicated moments, this music is composed to support soothing, protection, realignment, and the elevation of your energy level.
To find out more: Discover the full article on Transe Symphonic Music
Transe Symphonic Music can be experienced through two complementary modes: a powerful immersive listening, comparable to a wave that cleanses in depth, and continuous low-volume listening, like a gentle flow that harmonizes your space over the hours.
To fully enjoy it, it is recommended to optimize the sound environment (high-quality audio system, stable diffusion throughout the room) and, if desired, to place some water near the speakers so it can become charged and turn into a genuine energy battery in support of your daily life.
The effects may take time: patience and genuine inner openness are essential to let this music act, along with an appropriate technical setup that allows for regular listening, both day and night.
To explore the full listening guide and the detailed instructions: Transe Symphonic Music – Listening Guide and Instructions for Use
Symphoniya® and Yves Ruhlmann strongly recommend listening to and playing the Transe Symphonic works on ShinVav Audio speakers, unique speakers in the world, capable of delivering the full, real power of Transe Symphonic works. Not only the power, but also an unmatched level of purity, presence and sound to this day.
These speakers, true resonance chambers unique in the world, are in themselves a major therapeutic tool that no other system in the world can match.
This needs no commentary — it must be experienced. The combination of Transe Symphonic Music and ShinVav Audio speakers is a sacred alliance of sound and Transe Symphonic in service of life.
Transe Symphonic Music is a vibrational tool designed to restore harmony within you and around you.
Practically speaking, you can use it to:
soothe and realign your system (stress, fatigue, misalignment),
support life transitions or inner healing processes,
harmonize your environment (room, home, practice) on a subtle level.
It can be helpful at all times, because our modern environment is saturated with sources of disharmony (waves, pollution, tension, thoughts, etc.).
In practice, you can use it:
in intense moments (transformation, crisis, grief, major decisions),
to support you in therapeutic or consciousness work,
continuously at low volume, like a “vibrational immune system” for your living space.
No.
You can also choose Transe Symphonic Music as a form of prevention, as a way to bring more harmony into your everyday life, even without any “big problem.”
It can become a background presence that supports your body and your consciousness in their natural ability to realign.
Click here to find out more: Why use Transe Symphonic Music in your life?
Symphoniya recommends two complementary uses:
Powerful immersive listening
High volume, high-quality audio equipment.
Compared to a vast wave that comes to cleanse you in depth.
Continuous low-volume listening
Very soft volume, on loop, sometimes day and night.
Compared to the trickle of gentle water that harmonizes softly.
The two do not replace each other: they complement one another.
You can proceed as follows:
Choose a moment when you will be undisturbed.
Use good speakers (the quantum speakers ShinVav Audio are highly recommended) or a good hi-fi system.
Gradually increase the volume until you can really feel the power of the orchestra in your body, without physical discomfort.
Let the piece unfold like a journey: you have nothing to do, only to receive.
⚠️ To avoid: discovering this type of listening while driving
For background listening:
Choose a piece (for example Peace and Love – Transe Symphonic) or a selection of pieces.
Set it to looped playback, at a volume barely audible (like a whisper).
Let the music play in your room, your living space, or your practice, sometimes even at night.
This listening mode provides constant support for your environment and your energetic system.
Yes.
It is possible, and even recommended, including throughout the night, at a barely audible level.
ShinVav Audio quantum speakers (if possible) to preserve energetic integrity throughout the room.
An old phone, a dedicated tablet, a music player, or a reader (iPod, USB stick, SD card, etc.) as the source, rather than your main phone.
Avoid Bluetooth, which compresses the signal and adds waves; prefer a wired connection (jack) to an amp or hi-fi system.
Keep the source device plugged into the mains to avoid interruptions.
A computer is possible, but not ideal as a main solution.
Click here to find out more: Transe Symphonic Music – Listening Guide and Instructions for Use
Symphoniya emphasizes: miracle does not mean instant miracle.
If your body and environment have been exposed for years to sources of disharmony (stress, waves, etc.), it may be that:
you feel certain effects quite quickly,
but other transformations take time and regular listening.
What matters is to maintain an attitude of patience and to come back to what you feel, rather than expecting an immediate, spectacular result.
No: these tools do nothing without your inner consent.
They do not bring harmony into you if you do not wish it.
If you are in strong resistance, the main “risk” is that the music will annoy you and you will feel like stopping it.
You therefore remain free to choose your level of engagement with the piece.
It’s possible:
because your mind is resisting,
or because the moment may simply not be right.
In that case:
turn the volume down,
try a shorter listening session,
take a break for several days,
or explore another piece that feels gentler for you.
There is absolutely no obligation to “push through”: listening should remain a voluntary choice, not a constraint.
No.
Even if the site speaks of healing, miracles, or a “restored immune system,” these notions belong to a vibrational framework, not to medicine in the allopathic sense.
In case of illness, psychological disorder, or health concerns:
never discontinue a medical treatment or follow-up without professional advice,
consider this music as a vibrational complement, not as a substitute.
Playing certain pieces on a loop at low volume transforms the energetic quality of the place and the environment in an energetic and geobiological sense, including for the different living realms.
Continuous low-volume listening is offered as a way to:
let a background harmony circulate through your living space,
support your body and your system on a daily basis.
Symphoniya offers an optional practice:
place some mineral water near the speakers (ideally ShinVav) while Transe Symphonic Music is playing;
the water is seen as an energy battery that becomes charged;
drinking this water afterwards is presented as a way of allowing yourself to be “healed in depth, in all your bodies.”
The benefits of this approach have been demonstrated by Dr Masaru Emoto as well as by all current research around the world in the field of water memory.
Yes, but not with the standard license.
Purchasing the piece gives you a personal listening right (private use).
Any use in a session, workshop, treatment, guided meditation, retreat, etc. requires a specific license, with written agreement from Symphoniya.
You can request these terms via the contact form or at contact@symphoniya.com
Same principle:
broadcasting in a waiting room, in a center, a clinic, etc. = professional / public use,
therefore requires an appropriate license, whether for occasional or continuous listening.
Direct contact with Symphoniya to define the right framework.
No.
The T&Cs clearly state that each purchase grants a non-transferable personal license:
no file sharing (email, cloud, group, etc.),
no free or paid distribution without specific agreement.
If you want someone else to benefit from the piece, the fairest way is for them to purchase their own license.
The price of a Transe Symphonic piece is not that of a usual music album, because this is not simply “music.” The piece goes far beyond that: it is a true sonic cathedral between heaven and earth, linking the visible and the invisible.
Given the scale and power of these works, they are absolutely not available for streaming on any platform. They are exclusively distributed through the Symphoniya store. Accessing and purchasing them is a conscious choice, aware of what they contain and of what they entail.
Depending on your financial situation, it is exceptionally possible to obtain a reduced price. This option is reserved for private individuals only. For any request, please write to: contact@symphoniya.com
According to the product page, you generally receive:
a high-resolution WAV audio file (16-bit / 44.1 kHz),
sometimes a video of the orchestral recording or the clip (MOV),
all accessible via a download / viewing link sent after payment.
You place your order on the store,
you receive a download link once payment has been validated,
you are responsible for backing up your files.
For digital content:
A few suggestions, to be adapted according to your current catalogue:
Peace and Love – Transe Symphonic: an excellent entry point, widely used for continuous listening in a room.
Love and Gratitude – Transe Symphonic: focused on heart opening and gratitude, with choir & orchestra and video.
I Am Love – Transe Symphonic: for those who feel called to deep work around identifying with Love.
Illuminance – Transe Symphonic: a major 1h05 journey in a single breath for total immersion.
You can also simply follow the piece whose title moves you the most when you arrive on the store.
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