Some works begin long before the moment they are intended for.
When a company commissions a new work, the reference remains: a work that captures the deep quintessence of what or whom it is dedicated to, and seals it into a musical signature. For a house, this quintessence may lie in its history, its founder, its transmission, a place, an anniversary, a date, a transformation, a gesture, a craft or an important project — all of them materials that Yves Ruhlmann’s language channels through architectural and numerical signatures.
Dressing up a brand image: every agency offers that. Capturing the quintessence of a house and sealing it into the very architecture of a work: that is a composer’s gesture — and that is the one Symphoniya offers. Neither an agency, nor a music library, nor an ambience provider.
Houses of excellence know it by instinct: in every craft, many practise — very few hold substance and form together. In music as in watchmaking, this alchemy is the work of a tiny minority.
The substance — the creation can meet the history of the company, its identity, a trajectory, a founder, a generation, a transmission, a transformation, a place, an event, an intention.
The form — the composition can also integrate numbers, dates, proportions, structures: their encoding and their translation into the musical architecture. Part of the story can thus enter the very construction of the work.
An anniversary
25 years, 50 years, a centenary, a structuring date — numbers and dates can become material for composition.
The history of the house
The founding, the founder, several generations, a family or industrial transmission, a heritage history.
A new chapter
A generational handover, an inauguration, the opening of a place, a major transformation, the creation of a new entity.
An emblematic place
A manufacture, a historic headquarters, an architecture, a natural site, a territory — a place carrying a history of its own.
An important event
A ceremony, an evening, an inauguration, an institutional gathering, a heritage or cultural event.
A dedicated creation is not an ephemeral wrapping. Depending on the rights agreed upon, it can become a work lastingly attached to the history of the house — a heritage element, the musical trace of an anniversary or of a transmission, performed or played again within the frameworks provided for in the contract.
Time, measure, numbers, precision, transmission, gesture: the houses where these things are central — the fine watchmaking of the Vallée de Joux foremost among them — find a natural affinity in this language. Symphoniya is based in that same Valley.
A new work — the main path: Dedicated creations →
Existing works — for professional use within the standard framework: Professional licences → (any use outside the standard licence falls under a specific agreement).
Music to picture — a house film, an audiovisual project, institutional content with artistic ambition: Yves Ruhlmann has substantial training and experience in this field.
An interactive world — when a company is itself a studio, a publisher, or carries a project intended for video games: Video games & interactive worlds →
Brand management, director, agency, producer, internal committee: Yves Ruhlmann knows how to work within that framework. He can receive a brief, constraints, exchanges, feedback, a strong artistic direction. Transe Symphonic is not the only answer: the musical form depends on the project, on its quintessence, on the context, on the use and on the production desired.
For certain important projects, a musical prefiguration — an orchestrated, unfinalised mock-up — can be considered: the path of a creation →
Three chosen musical proofs. Free discovery: Symphoniya Wave.
The quotation depends on the ambition, the format, the composition, the production means, the performers, the recording, the rights, the use, the exclusivity and the schedule.
Present your project to us
Evoke a story, speak of a moment to come, present what could become material for composition:
